Details
| Original language | English |
|---|---|
| Place of Publication | Oakland, California |
| Publisher | University of California Press |
| ISBN (print) | 9780520976221 |
| Publication status | Published - 31 Dec 2024 |
Abstract
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Oakland, California: University of California Press, 2024.
Research output: Book/Report › Monograph › Research › peer review
}
TY - BOOK
T1 - Hollywood remaking
T2 - how film remakes, sequels, and franchises shape industry and culture
AU - Loock, Kathleen
PY - 2024/12/31
Y1 - 2024/12/31
N2 - From the inception of cinema to today's franchise era, remaking has always been a motor of ongoing film production. Hollywood Remaking challenges the categorical dismissal in film criticism of remakes, sequels, and franchises by probing what these formats really do when they revisit familiar stories. Kathleen Loock argues that movies from Hollywood's large-scale system of remaking use serial repetition and variation to constantly negotiate past and present, explore stability and change, and actively shape how the film industry, cinema, and audiences imagine themselves. Far from a simple profit-making exercise, remaking is an inherently dynamic practice situated between the film industry's economic logic and the cultural imagination. Although remaking developed as a business practice in the United States, this book shows that it also shapes cinematic aesthetics and cultural debates, fosters film-historical knowledge, and promotes feelings of generational belonging among audiences
AB - From the inception of cinema to today's franchise era, remaking has always been a motor of ongoing film production. Hollywood Remaking challenges the categorical dismissal in film criticism of remakes, sequels, and franchises by probing what these formats really do when they revisit familiar stories. Kathleen Loock argues that movies from Hollywood's large-scale system of remaking use serial repetition and variation to constantly negotiate past and present, explore stability and change, and actively shape how the film industry, cinema, and audiences imagine themselves. Far from a simple profit-making exercise, remaking is an inherently dynamic practice situated between the film industry's economic logic and the cultural imagination. Although remaking developed as a business practice in the United States, this book shows that it also shapes cinematic aesthetics and cultural debates, fosters film-historical knowledge, and promotes feelings of generational belonging among audiences
U2 - 10.1525/9780520976221
DO - 10.1525/9780520976221
M3 - Monograph
SN - 9780520976221
BT - Hollywood remaking
PB - University of California Press
CY - Oakland, California
ER -