Details
| Originalsprache | Englisch |
|---|---|
| Seiten (von - bis) | 121-138 |
| Seitenumfang | 18 |
| Fachzeitschrift | Journal of Modern Periodical Studies |
| Jahrgang | 15 |
| Ausgabenummer | 1 |
| Publikationsstatus | Veröffentlicht - 15 Juli 2024 |
Abstract
This article examines George Platt Lynes’s scrapbooks, highlighting their role in the queer cultural narrative of the 1930s. Lynes, a key figure in New York’s queer artistic circle, blended personal and mass media images in his scrapbooks, including Vanity Fair clippings. These collections reflect the era’s subtle queer expressions and provide unique insights into queer history and media. Focusing on a Cary Grant photograph from Vanity Fair, the article discusses the multifaceted interpretations of visual media in understanding queer narratives within modernism and modernity and emphasizes the integral role of queerness within these frameworks.
ASJC Scopus Sachgebiete
- Sozialwissenschaften (insg.)
- Kommunikation
- Geisteswissenschaftliche Fächer (insg.)
- Bildende und darstellende Künste
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in: Journal of Modern Periodical Studies, Jahrgang 15, Nr. 1, 15.07.2024, S. 121-138.
Publikation: Beitrag in Fachzeitschrift › Artikel › Forschung › Peer-Review
}
TY - JOUR
T1 - Potentially Queer
T2 - Mass Cultural Images in Vanity Fair and George Platt Lynes’s Scrapbooks
AU - Czelustek, Sabrina
N1 - Publisher Copyright: © 2024 The Pennsylvania State University, University Park, PA.
PY - 2024/7/15
Y1 - 2024/7/15
N2 - This article examines George Platt Lynes’s scrapbooks, highlighting their role in the queer cultural narrative of the 1930s. Lynes, a key figure in New York’s queer artistic circle, blended personal and mass media images in his scrapbooks, including Vanity Fair clippings. These collections reflect the era’s subtle queer expressions and provide unique insights into queer history and media. Focusing on a Cary Grant photograph from Vanity Fair, the article discusses the multifaceted interpretations of visual media in understanding queer narratives within modernism and modernity and emphasizes the integral role of queerness within these frameworks.
AB - This article examines George Platt Lynes’s scrapbooks, highlighting their role in the queer cultural narrative of the 1930s. Lynes, a key figure in New York’s queer artistic circle, blended personal and mass media images in his scrapbooks, including Vanity Fair clippings. These collections reflect the era’s subtle queer expressions and provide unique insights into queer history and media. Focusing on a Cary Grant photograph from Vanity Fair, the article discusses the multifaceted interpretations of visual media in understanding queer narratives within modernism and modernity and emphasizes the integral role of queerness within these frameworks.
KW - George Platt Lynes
KW - mass media images
KW - queerness
KW - scrapbooks
KW - Vanity Fair
UR - http://www.scopus.com/inward/record.url?scp=85212824836&partnerID=8YFLogxK
U2 - 10.5325/jmodeperistud.15.1.0121
DO - 10.5325/jmodeperistud.15.1.0121
M3 - Article
AN - SCOPUS:85212824836
VL - 15
SP - 121
EP - 138
JO - Journal of Modern Periodical Studies
JF - Journal of Modern Periodical Studies
SN - 1947-6574
IS - 1
ER -