Details
| Originalsprache | Englisch |
|---|---|
| Seiten (von - bis) | 101-120 |
| Seitenumfang | 20 |
| Fachzeitschrift | Journal of Modern Periodical Studies |
| Jahrgang | 15 |
| Ausgabenummer | 1 |
| Publikationsstatus | Veröffentlicht - 15 Juli 2024 |
Abstract
This article looks at the Crisis’s intervention in the periodical modernity of the 1910s in the United States. While the magazine modeled itself on white periodicals of the period, it also clearly stands out. Instead of focusing on W. E. B. Du Bois’s role as an editor, this article foregrounds the collective principle of miscellaneity and the ways in which this traditional form changes in its use in the Crisis. The Crisis refracts the multiplicity of modern experiences marred by the specters of a past that is not really over but largely unacknowledged—a backwards modernity.
ASJC Scopus Sachgebiete
- Sozialwissenschaften (insg.)
- Kommunikation
- Geisteswissenschaftliche Fächer (insg.)
- Bildende und darstellende Künste
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in: Journal of Modern Periodical Studies, Jahrgang 15, Nr. 1, 15.07.2024, S. 101-120.
Publikation: Beitrag in Fachzeitschrift › Artikel › Forschung › Peer-Review
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TY - JOUR
T1 - Backwards Modernity
T2 - The Crisis , Miscellaneity, and the Legacy of Slavery
AU - Mayer, Ruth
N1 - Publisher Copyright: © 2024 The Pennsylvania State University, University Park, PA.
PY - 2024/7/15
Y1 - 2024/7/15
N2 - This article looks at the Crisis’s intervention in the periodical modernity of the 1910s in the United States. While the magazine modeled itself on white periodicals of the period, it also clearly stands out. Instead of focusing on W. E. B. Du Bois’s role as an editor, this article foregrounds the collective principle of miscellaneity and the ways in which this traditional form changes in its use in the Crisis. The Crisis refracts the multiplicity of modern experiences marred by the specters of a past that is not really over but largely unacknowledged—a backwards modernity.
AB - This article looks at the Crisis’s intervention in the periodical modernity of the 1910s in the United States. While the magazine modeled itself on white periodicals of the period, it also clearly stands out. Instead of focusing on W. E. B. Du Bois’s role as an editor, this article foregrounds the collective principle of miscellaneity and the ways in which this traditional form changes in its use in the Crisis. The Crisis refracts the multiplicity of modern experiences marred by the specters of a past that is not really over but largely unacknowledged—a backwards modernity.
KW - backwardness
KW - miscellany
KW - modernity
KW - the Crisis
KW - the Ledger
UR - http://www.scopus.com/inward/record.url?scp=85212857564&partnerID=8YFLogxK
U2 - 10.5325/jmodeperistud.15.1.0101
DO - 10.5325/jmodeperistud.15.1.0101
M3 - Article
AN - SCOPUS:85212857564
VL - 15
SP - 101
EP - 120
JO - Journal of Modern Periodical Studies
JF - Journal of Modern Periodical Studies
SN - 1947-6574
IS - 1
ER -